The C1LA shares this history by including the same electronics and settings as the original C1
toggling the 180 polarity switch helps eliminate hot spots on stage that can cause low frequency resonance
The 5500's input XLR is connected to an active balanced circuit
each with their own stereo mix of workstation playback and any of the inputs
A superb patching cable is essential for amplified guitars where unwanted noise can be a critical problem
WA273-EQ Type:New The C1LA shares this historyClassic '73 style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273 EQ equally shines on all types of microphones and sources including; vocals, acoustic electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal